Anna Pavlova (1881-1931) first performed in New York in the spring of 1910. Her
performances were so well received that the dancer returned later that year to complete an
extended tour to many of the country’s major cities.
In 1916 and 1917, Diaghilev’s Ballets
Russes performed in New York, Chicago, Philadelphia, Boston, St. Louis and several other major
cities. The ballet dancer who enjoyed the greatest reception and admiration from her American
audiences was that exemplar of classical Russian training Anna Pavlova.
25
23 Amberg, Ballet in America, 5.
For the rest of her career Pavlova made
regular visits to the United States. A souvenir book from Pavlova’s initial tour reveals America’s
inexperience with dance as a performance art at this time. According to the book, Pavlova and her
partner Mikhail Mordkin were “introducing an art new to America, the interpretation of the
ponderous messages of the great composers through the most primitive and yet potent of
Anna Pavlová (1881-1931) okokuqala lwenziwa New York entwasahlobo ka 1910 Her
ukusebenza eyatholakala kahle kangangokuba dancer wabuya kamuva ngalowo nyaka ukuqeda
tour enwetshiwe eziningi emadolobheni amakhulu yezwe.
Ngo-1916 no-1917, Diaghilev sika Ballets
Russes eyenziwa e New York, Chicago, Philadelphia, Boston, St. Louis kanye nezinye eziningana ezinkulu
imizi. The dancer ballet abajabulela reception kunabo nenhlonipho wakhe American
nezilaleli kwaba ukuthi yesiboniso ukuqeqeshwa classical Russian Anna Pavlová.
25
23 Amberg, Ballet in America, 5.
Kukho konke career yakhe Pavlová wenza
ukuhambela United States. Incwadi eziyisikhumbuzo kusukela tour Pavlová okokuqala kwembula eMelika
nalwazi nge dance njengoba art ukusebenza ngalesi sikhathi. Ngokwencwadi ethi, Pavlová wakhe
umlingani Mikhail Mordkin babengabantu "wethula art entsha eMelika, incazelo yaleli
imiyalezo emikhulu of the bomculo enkulu ngokusebenzisa bakudala kakhulu nokho elinamandla
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