Wiktoria Lenart used a recognizable set of table saw cuts to create functional grooves running parallel to each edge, but these in themselves are somehow also pleasing to the eye, their usage aside, and seem to fit the unfinished look of the piece.
In a similar fashion, by using dimensional lumber there is a tie-in to wood in its semi-raw form usually found hidden behind the walls of buildings, or relegated to planks on an exterior deck left to weather in the elements.
But to be fair, Lenart has a larger purpose in mind: this rawness is meant as a backdrop for clipping, hanging and otherwise attaching elements that will enhance the usability and appearance of the desk on demand, from side panel shelves to hanging flower pots.
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