Yeah, one thing I definitely wanted people to wonder is whether Andrew is going to basically kill himself drumming, like the old fairy tale of the dancer who dances herself to death, or [Edgar Allan Poe’s] “The Oval Portrait,” where the painter kills his subject by painting her. The idea of art being something that kills is weirdly fascinating to me. Especially toward the end, I definitely wanted to film Andrew in a way that looks like he’s this close to literally having a heart attack and keeling over. I wanted people to worry not just for his sanity, but for his physical well-being. There’s a physical side to this instrument, and a brutality that’s not just emotional, but corporeal.