The third part of the poem outlines Samuttakote and Phiniumadi’s travels in the havens, their separation, and their eventual reuniting. The author of the third part, Prince Paramanuchit, was a noted lndie classieist and scholar, and this is reflected in the poem. Unlike the first and second part, the third is an emphasis on both sound and content. With content, the prince returns to the jataka tale and closely follows it to its conclusion. This narrative, however, is presented in a highly complex and erudite style. Indic references and lexical items abound. Frequent syntactic variations and paratactic structures make interpretation difficult. At the same time, there is an increased emphasis upon internal rhyme patterns and punning. This third part brings the development of the aesthetics of sound and content to a conclusion, with the aesthetics of the literary work following a patent from an emphasis upon embellishments and finally to a combination of the two.