The dimly-lit lower gallery space guides visitors on a wending journey through history and across continents, all housed in waist height cases of glossy black glass, through to a lighter, more open area dedicated to the various and surprising applications of glass. "To arrange the objects is one thing but to play with the interests of the visitors, the sequence of impressions, the physical movement inside the space - that's why I love museums. At the beginning of a project, the client will present a story book with a list of ideas and exhibits they want to show, the story they want to tell. It gives us a rough idea of what might be interesting, what has a special visual qualities and you start to work through a virtual space picking out certain points where exhibits can work like lighthouses or magnets inside the space".