While in earlier work the figure of the drunk was endearingly present (sketched in recline on a booth seat, or carved into a door), at Hopkinson Mossman the works seems more staid; the tone is that of the hangover and subsequent rehabilitation. Three discrete concepts are conflated and confused to provide a structure by which to read the exhibition: the Alcoholics Anonymous’ Twelve Steps, the episodic structure of sitcoms, and, as previously, the theory of entropy