Mr. Kelada was chatty. He talked of New York and of San Francisco. He discussed plays, pictures, and politics. He was patriotic. The Union Jack is an impressive piece of drapery, but when it is flourished by a gentleman from Alexandria or Beirut, I cannot but feel that it loses somewhat in dignity. Mr. Kelada was familiar. I do not wish to put on airs, but I cannot help feeling that it is seemly in a total stranger to put mister before my name when he addresses me. Mr. Kelada, doubtless to set me at my ease, used no such formality. I did not like Mr. Kelada. I had put aside the cards when he sat down, but now, thinking that for this first occasion our conversation had lasted long enough, I went on with my game.
"The three on the four," said Mr. Kelada.
There is nothing more exasperating when you are playing patience than to be told where to put the card you have turned up before you have a chance to look for yourself.
"It's coming out, it's coming out," he cried. "The ten on the knave."
With rage and hatred in my heart I finished.
Then he seized the pack.
"Do you like card tricks?"
"No, I hate card tricks," I answered.
"Well, I'll just show you this one."
He showed me three. Then I said I would go down to the dining-room and get my seat at the table.
"Oh, that's all right," he said, "I've already taken a seat for you. I thought that as we were in the same stateroom we might just as well sit at the same table."
I did not like Mr. Kelada.