FACELIFT
In Layne Staley´s words, the cover of the album is a mixture photo of the faces of each member of the band. With this combination they wanted to show a deformed person, as indicated by the name of the album Facelift.
The name of the album which was released in August 1990, was due to last minute changes that were made. They were also, and very drastic, so the name fit in with the situation.
At the time when photographs were taken, red, violet, yellow and green colors were used for the lightning.
The predominant color of the cover is red, after the graphic post production. It´s is a very intense color in an emotional level, but the purple has also an important role, evoking extravaganza , melancholy and sadness simultaneously. It can produce a sense of frustration. All is framed in a black background giving an enigmatical touch to the cover.
The booklet is very simple inside, it brings the album information and songs in a reclined layout on a black background, with two very special photos of the band.
FACELIFT
In Layne Staley´s words, the cover of the album is a mixture photo of the faces of each member of the band. With this combination they wanted to show a deformed person, as indicated by the name of the album Facelift.
The name of the album which was released in August 1990, was due to last minute changes that were made. They were also, and very drastic, so the name fit in with the situation.
At the time when photographs were taken, red, violet, yellow and green colors were used for the lightning.
The predominant color of the cover is red, after the graphic post production. It´s is a very intense color in an emotional level, but the purple has also an important role, evoking extravaganza , melancholy and sadness simultaneously. It can produce a sense of frustration. All is framed in a black background giving an enigmatical touch to the cover.
The booklet is very simple inside, it brings the album information and songs in a reclined layout on a black background, with two very special photos of the band.
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