The commitment to moral rights for performances in the Beijing Treaty is, at the very least, a severely restricted form of recognition for these rights. Attribution is generally allowed, although the attribution right, too, is limited in scope – the performer may forfeit his or her right to be identified “where omission is dictated by the manner of the use of the performance.” Where the right of integrity is concerned, given the range of limitations imposed by the explanatory note, it is questionable whether performers in audiovisual works can expect to assert their moral rights at all. In the final analysis, the Beijing treaty makes a nod to moral rights without, however, taking many real steps to endorse them. Accordingly, as far as the United States is concerned, it will not have to do much to honor the limited obligations undertaken at Beijing. Even a restatement of the Beijing provisions on moral rights in U.S. law would probably have little impact on U.S. copyright law or practice.