Finally, and connected to the cinematic promenade, time also plays an important role in Tschumi’s connection to the body and its
eect on the viewer. Through time, Tschumi attempts at capturing the temporary and spontaneous nature of “events’ which can take
place within the park (Tschumi, 1987). In La Villette, bodies in space have the ability to wander from any path and create a unique and
un-programmed ‘event’. By allowing for this ability to spontaneously create an ‘event’, La Villette is much like the cinema. Spatially and
sequentially, the architectural fragmentation of the structure allow and capture the ‘possible’ and the ‘accidental’ within the park and
therefore create newfound ‘bodies’ from which to view Tschumi’s ‘events’ oering new experiences within the park.