Fully conscious of going down this "slippery slope of adjusting, fixing, and retouching," Stina is ready to see the handmade, crooked, and flawed gain appeal, an aesthetic inspired by the 1970s, when social and environmental issues didn't take a back seat to Botox in the public consciousness. For her newest work, the artist asked herself what would happen if she didn't scan, didn't retouch, and didn't work digitally at all. The result of that question is a series of more than 30 new works on paper, watercolor pieces of women with running paint, unconventional color choices, and skewed perspective - imperfections that are natural, unsettling, and beautiful
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