In a movie, the colour, light and shadow elements affect the modelled character, setting and background to a
very large extent. Three dimensional computer graphics software provides a realistic virtual studio and endless
source of light combinations. Hence, the message and feeling is conveyed through an artistically sensitive and
aesthetically pleasing atmosphere, created with a certain combination of light and colours. Spot light, omni, area and
direct lights are a few examples to the types of options that can be used on their own or as a combination. For
example, in 3D animations the 'direct light' source can be used outdoors as an alternative for the sun, whereas the
'area light' which uses vertical beams can help smooth out the surface by spreading the light around, which makes it
ideal for indoors settings. Blue Sky Studio's 3D movie called “Ice Age” (Figure 5) produced in 2001 achieved a kind
of unique and impressive technology-driven realistic technique with clever use of lights and colours, becoming one
of the first exceedingly successful 3D animations of the period.
In a movie, the colour, light and shadow elements affect the modelled character, setting and background to avery large extent. Three dimensional computer graphics software provides a realistic virtual studio and endlesssource of light combinations. Hence, the message and feeling is conveyed through an artistically sensitive andaesthetically pleasing atmosphere, created with a certain combination of light and colours. Spot light, omni, area anddirect lights are a few examples to the types of options that can be used on their own or as a combination. Forexample, in 3D animations the 'direct light' source can be used outdoors as an alternative for the sun, whereas the'area light' which uses vertical beams can help smooth out the surface by spreading the light around, which makes itideal for indoors settings. Blue Sky Studio's 3D movie called “Ice Age” (Figure 5) produced in 2001 achieved a kindof unique and impressive technology-driven realistic technique with clever use of lights and colours, becoming oneof the first exceedingly successful 3D animations of the period.
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