Changing input levels will NOT affect what you hear. Inputs are compensated, meaning that as you lower trims
to optimize signal-to-noise ratio going into the converters, the output of the converters is adjusted inversely so “what you hear” (and what reaches the signal processor) always remains the same.
Each input has its own dedicated analog-to-digital converter. The  input jack parallels the rear inputs for improved signal-to-noise performance.
The front panel and  knobs independently control the volumes at the corresponding rear panel jacks. The output  knob simultaneously controls   XLR and 1⁄4-inch jacks, and the unit’s headphone jack level. Optimal levels will depend on what the Axe-Fx II is connected to.
To operate with unity gain, set the Output Level knobs to maximum. If you then route shunts from the input to the output you will get out exactly what you put in. (If you’re not using the Axe-Fx in the loop of a tube amp, unity gain is likely not relevant.)
If levels result in clipping of attached equipment, turn down the front panel    knobs. At the minimum setting, volume is reduced but may not be silent.
Changing input levels will NOT affect what you hear. Inputs are compensated, meaning that as you lower trims
to optimize signal-to-noise ratio going into the converters, the output of the converters is adjusted inversely so “what you hear” (and what reaches the signal processor) always remains the same.
Each input has its own dedicated analog-to-digital converter. The  input jack parallels the rear inputs for improved signal-to-noise performance.
The front panel and  knobs independently control the volumes at the corresponding rear panel jacks. The output  knob simultaneously controls   XLR and 1⁄4-inch jacks, and the unit’s headphone jack level. Optimal levels will depend on what the Axe-Fx II is connected to.
To operate with unity gain, set the Output Level knobs to maximum. If you then route shunts from the input to the output you will get out exactly what you put in. (If you’re not using the Axe-Fx in the loop of a tube amp, unity gain is likely not relevant.)
If levels result in clipping of attached equipment, turn down the front panel    knobs. At the minimum setting, volume is reduced but may not be silent.
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