Mounted in the top of each picture frame was a
digital camera whose field of view was trained upon the
space in which a visitor would stand if looking at the
framed monitor. Displaying a horizontally flipped stream of
the live camera feed on the monitor display allowed the
visitor to see him/herself as if in a mirror (see Fig. 2.) While
both mirrors were physically identical, they functioned in
two distinctly different ways, with one ‘magic’ mirror
transforming time, and the other manipulating space