At a time when many in photography have looked back to antique processes in search of hand made, artisanal authenticity, Matthew Brandt has used process experimentation to look forward, mixing newfangled alchemical innovations with conceptual thinking in unexpected ways. He is at once a throw back to the photographers of the 19th century who were constantly tinkering with their chemistries and a contemporary artist who is comfortable with a new breed of photography that is more tactile and physical. The works in this show break down the barrier between the image and the process by both capturing a subject in the traditional manner and embedding the physical matter of that subject in the development process, making it a picture and a version of the thing itself at the same time. Depending on the series, this approach alternately feels truly inspired and transformative or too literal and overly conspicuous.