ของสามารถ
This shaman was then a grotesque figure with one large eye dancing towards the Inuit, who ran away but found he had been possessed by it and some months later was himself accepted by his fellow shaman. Amoilg he illagers es Tlingit man who had inherited the possibility of becoming a shaman express and record the shananic etho include some of the world's most arresting works of sculpture. A mask was intended to transform its wearer, identifying the shaman with his spirit helper he mediated between life on ea th and th scrutable powers ound and above IThis function would be best effected by a mask that was skilfully carved and painted. He had a number of masks to be worn on different occasions. Soine have lifelike human faces 18.22), others incorporate animal forms 18.24) Many are mainly animal, hly the Tsinishian mask of a sea spirit with he snout of a whale and five human head emerging from its back(18.21). Such masks were made either the shamun himself or by carvers working under his direction to represent the spirits with whom he had communed Despite this personal origin they s em usually have been passed on from one generation to the next