Tisci's apparent fascination with Gothic touches (dark, languid dresses for fall couture) and space-age minimalism (one ready-to-wear show featured white-clad models drifting around a sterile-white sphere) has drawn new attention to the Givenchy brand. Reviews and output so far have been mixed and inconsistent, but many, including influential fashion critics (such as Cathy Horyn of The New York Times and Suzy Menkes of the International Herald Tribune) have homed in on Tisci's conceptual leanings, as well as his future potential for revitalizing the Givenchy brand and infusing it with his precision and imagination