The song was outstanding and had very good covers in other languages. It definitely could have been used in a wide spectrum of movies about seclusion and the temptation to give in to the label.
The movie was revolutionary only if you look at disney's other movies. if you look at ALL movies it kinda looks really derivative and not done anywhere near as well. Elsa was told from the beginning that she needed to control her power and fear was going to make her lose control of it. She thn spends her life in total fear of her power for no reason and her parents help her stay scared. then they "mysteriously die in a" boat"accident" to get the story going again. You get this bratty little sister who is onlyu a brat because the story needs her to be and a prince that is evil only because the story need s him to be. Hans is by far the worst case for this movie since it is the classic tale of two guys in love twith the same girl and so one of the two has to be evil fso there's no controversy. They tried to fix that in other movies to let both men be civil and "the heart wants what the heart wants" decides things as it should. but its worse in this movie because Hans starts off as the perfect hero figure. He is dashing and handsome and selfless and will do anything to help Anna. He saves Elsa when everybody else wanted her dead but then he reveals himself and what does he say? He needed to find a convenient way to off Elsa and be the hero? Ummmm so why did he save her ? Why did he jump at the chance to go off and rescue anaa and bring elsa home? If this was another kind of movie I'd think a bodysntching incident happened to him or a spell to make him turn opposite. i won't even get into how much worse olaf made it or the forced musical numbers besides tElsa's