For once, I’m ECSTATIC that the Oscar didn’t go to the politically-correct choice. I’m also ecstatic that it was more about performance than message. Precious may have had the right message, but that doesn’t negate the work that Sandra put into this part. The story was played out beautifully by all of the actors, exquisitely directed, and the humor–something the Academy routinely dismisses as “no talent required”–was right there for most of them to play out. If it’s not on the page, it sure as heck won’t be on the stage.
I greatly resent the “stretches her craft” comment because a movie like a romantic comedy is very difficult to do well. It’s why not even a dozen current actresses under 60 could do one halfway decently, and why there are so few that are truly remembered. The success of a romantic comedy lies at the feet of the writer, and the performance of the leading lady. You can insert most any male, and it would still work because it really IS about the woman. Sleepless in Seattle is a great example, and when you think of the truly great comediennes, there aren’t a lot of names that pop up. Discuss drama, and I could mention 100 or more off the top of my head.