The authors presented impressive results
including the reconstruction of believable, texturemapped
3D faces of Tom Hanks and Audrey Hepburn
from single frames of film. Using this
method, we can reconstruct a probable facialresentation of the “Mona Lisa,” viewable from
multiple angles (see Figure 2). This work also
demonstrates face manipulations according to
complex parameters such as gender, fullness of a
face, or distinctiveness.