Cultural heritage: the myth of Venice
Reacting to their physical environment and to a variety of cultural influences—from Italy, northern Europe, and the East—the Venetians consciously designed their city as an exceptional place. They regarded it as a divinely ordained centre of religious, civic, and commercial life, a community blessed by St. Mark, protected by its lagoon, and governed by a balanced constitution incorporating monarchy, aristocracy, and republican liberty. Historians refer to this perception as the “myth of Venice.” The architecture of the city, especially in the Renaissance, purposely emulated republican Rome, and the great rituals of state—the doge’s procession from his palace to the basilica or the annual Marriage with the Sea, when the doge cast a gold ring into the lagoon as a “sign of true and perpetual dominion”—publicly expressed the myth. ...