Traditional Cambodian music dates back as far as the Khmer Empire. Royal dances like the Apsara Dance are icons of the Cambodian culture as are the Mahori ensembles that accompany them. More rural forms of music include Chapei and A Yai. The former is popular among the older generation and is most often a solo performance of a man plucking a Cambodian guitar (chapei) in between a cappella verses. The lyrics usually have moral or religious theme. A Yai can be performed solo or by a man and woman and is often comedic in nature. It is a form of lyrical poetry, often full of double entendres, that can be either scripted or completely impromptu and ad-libbed. When sung by a duo, the man and women take turns, "answering" the other's verse or posing riddles for the other to solve, with short instrumental breaks in between verses. Pleng kaah (lit. "wedding music") is a set of traditional music and songs played both for entertainment and as accompaniment for the various ceremonial parts of a traditional, days-long Khmer wedding.
Cambodian popular music is performed with western style instruments or a mixture of traditional and western instruments. Dance music is composed in particular styles for social dances. The music of crooner Sinn Sisamouth and Ros Sereysothea from the 1960s to the 1970s is considered to be the classic pop music of Cambodia. During the Khmer Rouge Revolution, many classic and popular singers of the 1960s and 1970s died of execution, starvation, or overworkand many original master tapes from the period were lost or destroyed.
In the 1980s, Keo Surath, (a refugee resettled in the United States) and others carried on the legacy of the classic singers, often remaking their popular songs. The 1980s and 1990s also saw the rise in popularity of kantrum, a music style of the Khmer Surin set to modern instrumentation. In June 2013, a media report revealed that Australian hip hop group Astronomy Class recorded with Cambodian singer Kak Channthy. The Astronomy Class album Mekong Delta Sunrise was released in late April 2014 and band member Shannon Kennedy (Ozi Batla) explained that samples that appear on the album were taken from a range of sources, such as the Internet, and that a percentage of the proceeds from the album's sales will be given to the families of the musicians whose compositions are sampled, an intention that existed from the outset of the album's creation. Kennedy said that the band will return to Cambodia in 2015 and Astronomy Class "will be making every effort to give back to the families of the people that we’ve sampled".
Traditional Cambodian music dates back as far as the Khmer Empire. Royal dances like the Apsara Dance are icons of the Cambodian culture as are the Mahori ensembles that accompany them. More rural forms of music include Chapei and A Yai. The former is popular among the older generation and is most often a solo performance of a man plucking a Cambodian guitar (chapei) in between a cappella verses. The lyrics usually have moral or religious theme. A Yai can be performed solo or by a man and woman and is often comedic in nature. It is a form of lyrical poetry, often full of double entendres, that can be either scripted or completely impromptu and ad-libbed. When sung by a duo, the man and women take turns, "answering" the other's verse or posing riddles for the other to solve, with short instrumental breaks in between verses. Pleng kaah (lit. "wedding music") is a set of traditional music and songs played both for entertainment and as accompaniment for the various ceremonial parts of a traditional, days-long Khmer wedding.
Cambodian popular music is performed with western style instruments or a mixture of traditional and western instruments. Dance music is composed in particular styles for social dances. The music of crooner Sinn Sisamouth and Ros Sereysothea from the 1960s to the 1970s is considered to be the classic pop music of Cambodia. During the Khmer Rouge Revolution, many classic and popular singers of the 1960s and 1970s died of execution, starvation, or overworkand many original master tapes from the period were lost or destroyed.
In the 1980s, Keo Surath, (a refugee resettled in the United States) and others carried on the legacy of the classic singers, often remaking their popular songs. The 1980s and 1990s also saw the rise in popularity of kantrum, a music style of the Khmer Surin set to modern instrumentation. In June 2013, a media report revealed that Australian hip hop group Astronomy Class recorded with Cambodian singer Kak Channthy. The Astronomy Class album Mekong Delta Sunrise was released in late April 2014 and band member Shannon Kennedy (Ozi Batla) explained that samples that appear on the album were taken from a range of sources, such as the Internet, and that a percentage of the proceeds from the album's sales will be given to the families of the musicians whose compositions are sampled, an intention that existed from the outset of the album's creation. Kennedy said that the band will return to Cambodia in 2015 and Astronomy Class "will be making every effort to give back to the families of the people that we’ve sampled".
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