Pleating, a Miyake signature, was used here in concertinalike fashion on sleeves and pant legs, articulating movement in odd places like forearms and calves. The same kinetic principle was reflected in the engineered prints used for dresses, jackets, and pants, as well as in the diagonal seaming of androgynous tailoring, and the patchwork leggings. All of it suggested the body tautly moving beneath. Miyake himself was a poet and a technician when he helmed his own label. It was plain to see that Fujiwara tends more to the latter inclination, but a final group of light-as-air outfits, fluttering like delicate piles of striped hankies, evoked the pure poetry of the master.