Since the 1960s, Maurizio Nannucci, a point of reference for many generations of artists, architects, musicians, critics and curators, has examined the relationship between art, language, and image. His research, which has always been characterized by the dialogue between the various disciplines, explores the relationship between light, color, sound and both real and imagined space, which becomes particularly evident in his large neon writings. Nannucci’s work is conceptual—it is an exploration between culture and society, with a close connection between architecture and urban landscape—whose language restores a symbolic and spatial value to the single words.