Away from the main square, the mission's two targets each occupy their own restricted building. The first, General Reza Zaydan, occupies a nearby school that the military have taken as an HQ. It's a heavily patrolled space, and many of its soldiers will see through a military disguise. This is the first target in the new Hitman—save perhaps for any contracts that take you up into Paris's attic—to encourage a more traditional stealth approach. The second target, Claus Hugo Strandberg, is a former CEO hiding out in the Swedish consulate. It's a minimalist office space, and favours the more familiar disguise based approach.
Beyond that, there's plenty to be discovered on rooftops, down alleyways and in the member's only shisha bar. As in previous episodes, a handful of opportunities send you on a collision course with the targets. Here, though, they seem less like the focus. Maybe it was the way I played, but I felt as if the impetus was more on discovery and experimentation—pushing at the cracks of each target's security to see what I could break through.