Utilising refusal is obvious, in the further step N is integrating all that she is thinking in the relative systematised
delirious ideation by relation and tracking through surveillance cameras, which she argues that were set in by the
wife of the man she loved. She symbolises someone from the outside, who knows everything and who understands
her inner core being, that core were she tried to hide what was unacceptable and socially intolerable: “The girls from
work made hints at what was happening to me…”. At the moment, under antipsychotic treatment, the intensity of
the ideation remains prevalent, N permanently referring to the fact that “In 2005, when they did charms on her, it
was definitely like that, now is just a suspicion.”.