For even better image quality, look to the EF16-35mm f/4L IS USM. Made with 16 elements – including 3 Glass-Molded aspheric lenses and two UD lenses – the EF16-35mm f/4L IS USM is said to produce images that match those of the EF16-35mm f/2.8L II USM, but with image stabilization.
The aspheric lenses significantly reduce distortion, thus bringing detail to the peripheral areas, while the UD lenses minimize chromatic differences; preserving the accuracy of color tones. A 9-blade circular aperture provides almost round bokeh effects, while the addition of image stabilization offers the lens a four-stop advantage in low light situations.
Being part of Canon’s L series of lenses, the EF16-35mm f/4L IS USM’s lens mount, switch panel, zoom ring and focusing ring have all be constructed to be dust and drip proof, while the lens elements have been coated with fluorine (which repels both water and oil), making it easy to clean with just a dry cloth.
Pricing and availability for both lenses to be announced.
For even better image quality, look to the EF16-35mm f/4L IS USM. Made with 16 elements – including 3 Glass-Molded aspheric lenses and two UD lenses – the EF16-35mm f/4L IS USM is said to produce images that match those of the EF16-35mm f/2.8L II USM, but with image stabilization.
The aspheric lenses significantly reduce distortion, thus bringing detail to the peripheral areas, while the UD lenses minimize chromatic differences; preserving the accuracy of color tones. A 9-blade circular aperture provides almost round bokeh effects, while the addition of image stabilization offers the lens a four-stop advantage in low light situations.
Being part of Canon’s L series of lenses, the EF16-35mm f/4L IS USM’s lens mount, switch panel, zoom ring and focusing ring have all be constructed to be dust and drip proof, while the lens elements have been coated with fluorine (which repels both water and oil), making it easy to clean with just a dry cloth.
Pricing and availability for both lenses to be announced.
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