Disposition, like colour, interfaces with every aspect of emphasis. It is so integral to visual communication that its potential is often undervalued. Disposition is inextricably linked to area and is concerned with rl1c strategic placement of elements. It can subtly or dynamically draw attention to
elements within the overall design area. For example, the small folio sitting on its own at the bot-tom or top of a page docs not shout but is instantly found by the reader through its unique positioning. Similarly an indent the placement or disposition