The generation gap is widening with our students who were born in the late 1980s-early 1990s; they may be familiar with photographic prints, but require an introduction to analog film, negatives, and wet film processes. After we instruct our students to keep abreast of best practices by taking the Cornell University Library's Moving Theory Into Practice Digital Imaging Tutorial (Cornell University Library, 2003), we have to spend a good amount of time training our students about halftones, how film grain still needs to be checked with a loupe, that transparencies need to be placed on daylight-balanced light tables, and so on, so that they understand that image quality is not always determined by digital equipment or software settings. Teaching them to check analog film for irregularities throughout the process of digitization is an important part of our ongoing training processes.