This involves devising a set of critical features identi
fi
ed from an
‘
ideal
’
(sometimes
called a
‘
model
’
) performance, often that of an elite performer, hence the alternative
name. This approach has nothing to recommend it except, for a lazy analyst, its
minimal need for creative thought. It assumes that the ideal or elite performance is
applicable to the person or persons for whom the analyst is performing his or her
analysis. There is now wide agreement among movement analysts that there is no
universal
‘
optimal performance model
’
for any sports movement pattern. Each
performer brings a unique set of organismic constraints to a movement task; these
determine which movements, out of the many possible solutions for the task under
those constraints, are best for him or her
This involves devising a set of critical features identi
fi
ed from an
‘
ideal
’
(sometimes
called a
‘
model
’
) performance, often that of an elite performer, hence the alternative
name. This approach has nothing to recommend it except, for a lazy analyst, its
minimal need for creative thought. It assumes that the ideal or elite performance is
applicable to the person or persons for whom the analyst is performing his or her
analysis. There is now wide agreement among movement analysts that there is no
universal
‘
optimal performance model
’
for any sports movement pattern. Each
performer brings a unique set of organismic constraints to a movement task; these
determine which movements, out of the many possible solutions for the task under
those constraints, are best for him or her
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