These distinct absorptions of modernity, and the relation between the two neighboring nations, are represented in Korea’s Pavilion in an exhibition called Crow’s Eye View, winner of the Gold Lion at the Venice Biennale 2014. The dense exhibition, commissioned and curated by Minsuk Cho together with Hyungmin Pai and Changmo Ahn, used every corner of the pavilion to represent this subject. The curators invited a multidisciplinary group of architects, urbanists, poets, writers, artists, photographers, film-makers, curators and collectors to demonstrate (to best of their availability, since official cooperation with North Korean institutions proved impossible) the architectural intersections and divisions between North and South Korea.