Delbonnel has a predilection for soft lighting. “My signature is a source with double diffusion, and sometimes I do triple diffusion. Then, I add a little fill inside, or not. If I do, it’s very soft, and it’s usually a poly [polystyrene bounce] or something simple. I rarely use hard lighting, although I did for a couple of scenes on this film.”
Delbonnel has a predilection for soft lighting. “My signature is a source with double diffusion, and sometimes I do triple diffusion. Then, I add a little fill inside, or not. If I do, it’s very soft, and it’s usually a poly [polystyrene bounce] or something simple. I rarely use hard lighting, although I did for a couple of scenes on this film.”
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