I. Introduction
Gerry Coulter’s article “Louis I. Kahn – The Timeless Art of Light and Form” (Euro Art, Fall 2008) was posted when I had just finished reading Robert McCarter’s thorough analysis of Kahn’s oeuvre. While Coulter and McCarter admire Kahn’s work deeply, neither sufficiently examines the persistence of his ideas into the architecture of the present. In this paper I argue that the “timelessness” of Kahn extends into the present moment of architecture