Love and redemption - these are the concerns of Bernard Malamud's masterpiece "The Magic Barrel." In this classic short story, a rabbinical student, who may or may not love God, meets an old-time matchmaker, stinking of fish, who may or may not have supernatural powers.
The Magic Barrel” explores many aspects of the theme of self-discovery: the awakening of passion and desire; the definition of identity; the search for love. As the story begins, Leo is emerging from years of study to embrace life’s dilemmas. He experiences the awakening of passion and desire with resistance and confusion; his search for a wife begins not out of desire for love or devotion but, rather, to improve his chances of securing a congregation. Through his experiences with the matchmaker, Leo discovers what kind of bride he does not want—someone who sees him not for who he is but for his position in society.
As he attempts to define his priorities, Leo is caught in a web of contradictions: “apart from his parents, he had never loved anyone. Or perhaps it went the other way, that he did not love God so well as he might, because he had not loved man.” Leo’s relationship with God constitutes a major part of his struggle for identity. When he accepts the shortcomings of his studies (his books have not taught him to love either God or women) and himself, Leo is able to redefine his goals and begin advancement toward them. His major goal is to achieve love: not only love for God but also love for a woman.
In his efforts to meet and woo Stella, Leo is no longer content merely to take what Salzman has to offer—especially in a situation that causes the matchmaker much pain. Leo can now offer internal peace to both Salzman and...