Luckily the degree of pitch
alteration available to the player through regulating air support and embouchure is comparatively great, and players
often use individual fingerings to ‘humour’ certain notes. A new bassoon requires ‘playing in’ and thus players are
hesitant to change their instruments. The problem of playing softly is sometimes assisted by the use of a mute; this
can take the form either of a piece of cloth stuffed in the bell (e.g. as demanded by Ligeti) or of a short sleeve-like
metal cylinder (see Mute). Many players (especially in the USA) take great pains to seal every trace of porosity in
pads and body to facilitate response.