When the four images are overlaid (

When the four images are overlaid (Figure 5), one can gain a new sense of Tschumi’s purpose and design intent. The nal design contains
much of the same information as the original, yet allows for a clarity and eortless quality in its nal gesture. Shapes are present, but are
deconstructed and there is still a sense of uncertainty and ambiguity in the forms and connections. More and more, the composition
becomes tighter, well-knitted and more harmonious.
Although Tschumi’s work was meant to be read as a irregular, haphazard and disjointed spatial arrangement, we can see that even
Tschumi had to unify and congeal his overall design. Perhaps this growing unity was part of Tschumi’s original scheme from inception,
and conceivably after deconstructing the program and forming autonomous systems, Tschumi understood all along that the success of
his plan and of deconstruction in general, was in the growing into a unifying synthesis of fragmented parts.