given the range of limitations imposed by the explanatory note, it is questionable whether performers in audiovisual works can expect to assert their moral rights at all. In the final analysis, the Beijing treaty makes a nod to moral rights without, however, taking many real steps to endorse them. Accordingly, as far as the United States is concerned, it will not have to do much to honor the limited obligations undertaken at Beijing. Even a restatement of the Beijing provisions on moral rights in U.S. law would probably have little impact on U.S. copyright law or practice.